[NB: I’m publishing this back-dated to avoid confusion with my recap, as I wrote it but did not get round to posting it before running the first episode of my campaign.]
My gaming group recently reached the end of a Monsterhearts campaign (sob!) and it’s been an experience that’s basically obsessed me for the last six months or so. I feel like it’s probably my turn for GMing duties, so I’m going to be running a Masks: A New Generation game that will hopefully last around the length of one season of Monsterhearts, but since I haven’t run a tabletop game beyond one shots or solo adventures for about five or six years, I’m a bit rusty on judging how long things will take in tabletop. Unfortunately, the sheer amount of live game running and playing I’ve been doing doesn’t help much with that! Continue reading
I’m slowly working my way through the first Bundle of Holding I obtained (first of many), and it’s time to review Ladykillers by Matt Snyder, one of the games in the Bundle that I’m most interested in. It features a pitch that could easily be run in most other systems – wronged women return from the grave with magic powers to hunt monsters – but its native system is quick, simple and flavourful.
Content warning: this is a game where you will want to discuss permitted content. One of the character generation questions involves suicide, and obviously given the subject matter, which is very much in the genre of female-centric revenge thriller, there is a lot of potential for upsetting themes to come up. Continue reading
The Powered by the Apocalypse system, Vince Baker’s revolutionary game design paradigm originally showcased in Apocalypse World, has become a big of a mixed blessing: while it inspired games like Monsterhearts (which is incredibly important to me as it massively changed how I play and think about roleplaying games), it seems like lots of people are trying to make PbtA games without really thinking about what that means. The virtue of PbtA is that is can emulate a specific combination of genre, emotional intensity and surprising twists like no other system that currently exists. At the same time, it just doesn’t work for everything. It shouldn’t – it’s not a generic system. It’s pretty much the opposite of that. There are some great places to look for systems that can be hacked into whatever shape you like: Fate if you want high-action, minimal changes; Cortex for something more tailored to genre emulation; Hillfolk for high-drama big-picture plots.
So when I hear ‘it’s x done in PbtA’, my heart sinks a little. Will it disappoint me? My ears prick up. Will it have mechanics I really want to get my teeth into?
The Secrets of Cats by Richard Bellingham is an excellent setting for Fate, part of their Worlds of Fate series (which, by the way, is generally wonderful, as they’re really committing to their Open Gaming Licence and promoting lesser-known designers with innovative uses for the system). The characters are all cats who belong to a secret cat society that guards and watches over humans, their ‘Burdens’, using sacrificial magic, territory and occult know-how. If that didn’t already make you excited about this game, you’re probably a lost cause for this review, because this game fully embraces the concept. Less horrifying than Bunnies and Burrows, more heroic than Another Fine Mess, it’s a sweet and occasionally brutal game of animals who are willing to risk anything to save those they love. Continue reading
I’ve left this blog a little quiet for a while now due to real-life busyness and concentrating more on my fiction, but I’m going to try and get back into the swing of things in the new year. Not least because I have loads of awesome new or classic RPGs to read after my trip to Dragonmeet on Saturday 3rd December. Continue reading
Definitely not a Molly Ringwald film – instead, an innovative horror game that was nominated for several categories at the ENnies (though sadly did not win).
Ten Candles is a game I supported on Kickstarter a couple of years ago and mostly forgot about. I mainly went in on it because of its core mechanic: games take place by the light of ten candles (with optional extra lighting, obviously), each of which darkens as the game goes on. When all the candles are out, the game ends. It certainly caught my attention, plus the tagline was ‘A storytelling game of tragic horror’. So, y’know, my kind of thing. I’m actually really pleased I backed it on a whim, because it’s brought up some great concepts. Continue reading
I’ve reviewed Daniel Solis’ excellent storytelling game, Happy Birthday, Robot! elsewhere on this blog, but he’s most famous for his charming family-friendly RPG Do: Pilgrims of the Flying Temple. A FATE edition, Do: Fate of the Flying Temple, has recently been released, and Solis has produced an enviable number of tabletop and card games, as well as making some pretty great statements on inclusive art direction in his games. I pretty much want to read everything he’s ever written now! But for now, I’m reading Do: Pilgrims of the Flying Temple, a gentle fantasy game with easy-to-grasp mechanics that don’t lack for depth, inspired by the wondrous tone of adventure stories like Avatar: the Last Airbender. Continue reading